Anna Halprin (Routledge Performance Practitioners)

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Educators accepted modern dance into college and university curricula, first as a part of physical education, then as performing art. Many college teachers were trained at the Bennington Summer School of the Dance, which was established at Bennington College in Of the Bennington program, Agnes de Mille wrote, " As a consequence, for the first time American dancers were hired to tour America nationwide, and this marked the beginning of their solvency. The development of modern dance embraced the contributions of African American dance artists regardless of whether they made pure modern dance works or blended modern dance with African and Caribbean influences.

The legacy of modern dance can be seen in lineage of 20th-century concert dance forms. Although often producing divergent dance forms, many seminal dance artists share a common heritage that can be traced back to free dance. Postmodern dance developed in the s in United States when society questioned truths and ideologies in politics and art. This period was marked by social and cultural experimentation in the arts.

Choreographers no longer created specific 'schools' or 'styles'. The influences from different periods of dance became more vague and fragmented. Contemporary dance emerged in the s as the dance form that is combining the modern dance elements and the classical ballet elements. Many contemporary dancers are trained daily in classical ballet to keep up with the technicality of the choreography given. These dancers tend to follow ideas of efficient bodily movement, taking up space, and attention to detail.

Contemporary dance today includes both concert and commercial dance because of the lines being blurred by pop culture and television shows. According to Treva Bedinghaus,"Modern dancers use dancing to express their innermost emotions, often to get closer to their inner-selves.

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Before attempting to choreograph a routine, the modern dancer decides which emotions to try to convey to the audience. Many modern dancers choose a subject near and dear to their hearts, such as a lost love or a personal failure. The dancer will choose music that relates to the story they wish to tell, or choose to use no music at all, and then choose a costume to reflect their chosen emotions.

From Wikipedia, the free encyclopedia. Main articles: Dance and Concert dance. This article needs additional citations for verification.

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Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Main article: Free dance. See also: Expressionist dance and Ausdruckstanz. Main article: Modern dance in the United States. See also: African American dance.

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Main article: Postmodern dance. Main article: Contemporary dance. Play media. Exploring dance forms and styles: a guide to concert, world, social, and historical dance. Human Kinetics. Introduction to Modern Dance Techniques. Isadora: A sensational life. Art Without Boundaries: The world of modern dance.

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Iowa City: University of Iowa Press. Lewisto n: The Edwin Mellen Press. Aesthetic Dancing.

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New York: A. Barnes Company. Harvard University Press, , p. Added to basket. Mao's Last Dancer. Li Cunxin. Flame Tree Studio. Rudolf Nureyev. Julie Kavanagh. Ballerina Project. Dane Shitagi. Dance Anatomy 2nd Edition. Jacqui Greene Haas. Ballet and Modern Dance.

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